Guitar lesson for
Auld Land Syng
by (traditional) • Lesson #203
Print-friendly chord sheet available for Patreon supporters
- Get the PDF here -- after clicking and logging in to Patreon, look for the file attached to the bottom of the post.
Supporting me on Patreon gives you access to the PDF for this as well as 150+ other lessons. One month minimum ($3, cancel anytime) gets you access to everything... here's a free sample. Thanks for supporting me and this project!
Here’s the arrangement I’m using in my video lesson. This is 8 bars, which can be repeated over and over again if you want to play additional verses and/or choruses. Your job is to either strum, pluck, or fingerpick the chords - adding melody notes as you desire. For your ending, the final measure should be the C chord only (without the G). If you are repeating the 8 bars, the final measure should include the G chord on the final 2 counts - which creates a nice “turn around” to setup the C in the first bar.
"Should old acquaintance be forgot and never brought to mind..." E ––––––|–––––––––––––0–––|–––––––––––––0–––|–––––––––0–––3–––|–5–––––––5–––5–––|– B –/5–3–|–1–––––0–1–––––––|–3–––––1–3–––––3–|–1–––––1–1–––––––|–4–––––––4–––––––|– G ––––––|–0–––––––0–––––––|–0–––––––0–––––––|–0–––––––0–––––––|–5–––––––5–––––––|– D ––––––|–2–––––––2–––––––|–0–––––––0–––––––|–2–––––––2–––––––|–3–––––––4–––––––|– A ––––––|–3–––––––3–––––––|–2–––––––2–––––––|–3–––––––3–––––––|–––––––––––––––––|– E ––––––|–––––––––––––––––|–3–––––––3–––––––|–––––––––––––––––|–––––––––––––––––|– C G C F7 F#dim7 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + "Should old acquaintance be forgot and auld lang syne" E –|–3–––––0–0–––––––|–––––––––––––0–––|–––––––––––––––––|–––––––––––––––––|– B –|–1–––––––1–––1–––|–3–––––1–3–––––3–|–1–––––––––––––––|–1––––––––––/5–3–|– G –|–0–––––––0–––––––|–0–––––––0–––––––|–2–––––2–2–––0–––|–0–––––––0–––––––|– D –|–2–––––––2–––––––|–0–––––––0–––––––|–2–––––––3–––––––|–2–––––––0–––––––|– A –|–3–––––––3–––––––|–2–––––––2–––––––|–0–––––––3–––––––|–3–––––––2–––––––|– E –|–––––––––––––––––|–3–––––––3–––––––|––––––––(1)––––––|–––––––––3–––––––|– C G Am F C G 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + –|–––––––––––––––––|| ...repeat the 8 bars for each verse. –|–1–––––––––––––––|| To end the song, replace the final –|–0–––––––––––––––|| measure with this, which plays only –|–2–––––––––––––––|| the C chord (and not the G). –|–3–––––––––––––––|| –|–––––––––––––––––|| C 1 + 2 + 3 + 4 +
For a few of these chords, I want to call out some tips that will help you on your way - specifically with finger positions.
G major chord
For the G major chord, notice how you’re not really ever putting a left-finger on the 1st string (high E string). Also, you’ll often need to remove the 2nd-string-3rd-fret note, in order to play the 2nd-string-1st-fret. As such, you’ll want to use your pinky on the 3rd fret of the 2nd (B) string. This sets up your index finger to be in place at the same time.
E ––––– E ––––– B ––3–– <= left pinky B ––1–– <= left index G ––0–– G ––0–– D ––0–– D ––0–– A ––2–– <= left middle A ––2–– <= left middle E ––3–– <= left ring E ––3–– <= left ring G G*
F7 and F#dim7 chord
For the F7 and the F#dim7, the main thing to call out is that the thinnest 3 strings will use the exact same notes (and fingers). All that changes between these two chords is which fret your left index finger is playing.
E ––5–– <= left pinky E ––5–– <= left pinky B ––4–– <= left middle B ––4–– <= left middle G ––5–– <= left ring G ––5–– <= left ring D ––3–– <= left index D ––4–– <= left index A ––––– A ––––– E ––––– E ––––– F7 F#dim7
If the F7 section gives you trouble, use this voicing. I got this via Justin Sandercoe’s lesson. You can ignore the F#dim7 chord altogether.
E ––5–– <= left pinky B ––x–– <= (muted by left ring) G ––5–– <= left ring D ––3–– <= left index A ––––– E ––––– F7
Switching from the C to F7
The most difficult part of this song, for me, is switching from the C to the F7. Here’s one important tip when practicing this - which is your right pinky is staying on the high-E string for both chords! Specifically, it’s moving up from the 3rd fret to the 5th fret (of the high E-string). This is a helpful thing to keep in mind, as it is one less finger that needs to switch strings. Here’s a simple deconstruction of this progression to practice - do it slow over and over again, until you can do it without mistakes. From there, slowly speed it up until you can play it at the pace of the normal song.
E –––3–––5––– <= left pinky stays on this string for both chords! B –––1–––4––– G –––0–––5––– D –––2–––3––– A –––3––––––– E ––––––––––– C F7
F major chord
Don’t let the F chord in the 7th measure throw you off. You don’t need to do any barring! Here’s two ways to play it. The first way (left) shows you a 4-string version, where you’re only playing the thickest four strings. However, if this voicing is too difficult - try the right version - which ignores the 6th (lowest) string. This lets you only worry about 3 strings, which is much easier to switch to in a hurry. In a pinch, I’ll use this version so I can be sure I stay in time (especially when playing with people singing).
E ––––– E ––––– B ––––– B ––––– G ––2–– <= left middle G ––2–– <= left middle D ––3–– <= left pinky D ––3–– <= left pinky A ––3–– <= left ring A ––3–– <= left ring E ––1–– <= left index E ––––– F F*
Here’s the English translation of the lyrics, in the “minimalist” translation as per Wikipedia:
Should old acquaintance be forgot, and never brought to mind? Should old acquaintance be forgot, and old lang syne? CHORUS: For auld lang syne, my dear, for auld lang syne, we'll take a cup of kindness yet, for auld lang syne. And surely you'll buy your pint cup! and surely I'll buy mine! And we'll take a cup o' kindness yet, for auld lang syne. [CHORUS] We two have run about the slopes, and picked the daisies fine; But we've wandered many a weary foot, since auld lang syne. [CHORUS] We two have paddled in the stream, from morning sun till dine†; But seas between us broad have roared since auld lang syne. [CHORUS] And there's a hand my trusty friend! And give me a hand o' thine! And we'll take a right good-will draught, for auld lang syne. [CHORUS]
Let me know if you have questions. I hope this was helpful.
Enjoy my lessons? Buy me a beer!
If this and my other lessons have proven helpful to you, please consider making a one-time donation to my tip jar. Contributions of any amount help make this project possible (including the many, many hours I put into it).
Subscribe to my YouTube channel
Be sure to never miss a lesson by subscribing on YouTube. I put out 2-3 new videos every week. These include full song lessons, as well as covers, practice tips, behind-the-scenes updates. Thanks!
Recent video lessons:
📝 Print-friendly PDFs now available for all new lessons I make, including all those listed below. Get a free sample »
- Don't Think Twice, It's All Right by Bob Dylan
May 24, 2020 • Lesson #301
- Travis Picking vs. Normal Fingerstyle
May 16, 2020 • Lesson #302
- Which guitar pick I use
May 9, 2020 • Lesson #300
- I've Just Seen a Face (intro riff) by The Beatles
May 8, 2020 • Lesson #299
- I've Just Seen a Face (full song) by The Beatles
May 4, 2020 • Lesson #298
- Country Bass Line Exercise in 6/8 Time
Apr 26, 2020 • Lesson #297
- Under the Milky Way by The Church
Apr 19, 2020 • Lesson #296
- Hello in There (intro riff) by John Prine
Apr 12, 2020 • Lesson #295
- Clay Pigeons by John Prine
Apr 8, 2020 • Lesson #294
- House of the Rising Sun by The Animals (easy fingerstyle)
Mar 31, 2020 • Lesson #293
- New! Browse my lessons by category, genre, decade, and more
Mar 29, 2020 • Lesson #292