Guitar lesson for
St. James Infirmary Blues
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- 0:00 Playthrough & greeting
- 2:05 Chords shapes needed
- 6:20 Chord progression
- 6:55 Strumming patterns
- 9:39 Adv. strumming tips
- 13:40 Fills & licks
- 21:02 Farewell
Lyrics w/ chords
Am E Am Am I went down to the St. James Infirmary Am F E E7 I saw my ba---by there Am E Am Am She was laid out on a cold white table F E Am Am So cold, so white, so fair Am E Am Am Let her go, let her go, god bless her Am F E E7 ...Wherever she may be Am E Am Am She may search this wide world over F E Am Am She'll never find a sweet man like me
Other verses (use same chord progression):
When I die, bury me in my straight-leg britches Put on a box-back coat and a Stetson hat Put a twenty-dollar gold piece on my watch chain So you can let all the boys know I died standing pat An' give me six crap shooting pall bearers Let a chorus girl sing me a song Put a red hot jazz band at the top of my head So we can raise Hallelujah as we go along Folks, now that you have heard my story Say, boy, hand me another shot of that booze If anyone should ask you You just tell 'em I've got those St. James Infirmary blues
How to play the chords
Here are the chord shapes you’ll need for this song. A few quick tips. First, for the E7, feel free to play a regular E if the 3rd fret note on the B string gives you trouble. Second, for the F, feel free to sub in any simplified voicing (2 options shown below) if the full F barre chord gives you trouble.
Typical chord shapes: Alt. positions for F major: E –––0–––0–––0–––1–––– E ––––––––––– B –––1–––0–––3–––1–––– B –––1–––1––– G –––2–––1–––1–––2–––– G –––2–––2––– D –––2–––2–––2–––3–––– D –––3–––3––– A –––0–––2–––2–––3–––– A –––3––––––– E –––––––0–––0–––1–––– E ––––––––––– Am E E7 F F F
Chord progression for entire song
Repeat this, over and over (read left to right, top to bottom).
Am E Am Am 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + Am F E E7 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + Am E Am Am 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + F E Am Am 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +
Simplest way is to do all down strums on the quarter notes (1, 2, 3, 4):
1 + 2 + 3 + 4 + d = down strum d d d d
Next, you could bring in a strum of only the root note (thickest string of any chord) on the 1 and 3 counts, followed by a full strum (of all strings) on the 2 and 4 counts.
A-minor: E-major: E ––––––0–––––––0––– E ––––––0–––––––0––– B ––––––1–––––––1––– B ––––––0–––––––0––– G ––––––2–––––––2––– G ––––––1–––––––1––– D ––––––2–––––––2––– D ––––––2–––––––2––– etc A ––0–––––––0––––––– A ––––––2–––––––2––– E –––––––––––––––––– E ––0–––––––0––––––– d d d d d d d d 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +
You also could bring in up-strums, which I prefer to do in this manner (note this is an 8 count pattern, which is a bit tougher):
1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + d = down strum d d u d d u d d u u u u = up strum > > > > = accented strum
Here’s the fills I demonstrate in my video lesson. These are always played on the final 2-3-4 beats of the 2nd measure (on each of the 4 lines).
Fill #1 of 4
E –––––––––––––––––––––––0––– B –––––––––––––––––––––––1––– G –––––––––––––––––––––––2––– D –––––––––––––––––––––––2––– A ––––––––0–3–––0–––––0–––––– E ––0–3–––––––––––3––––––––––
Fill #2 of 4
E ––––––––––––––––––––0––– B ––––––––––––––––––––1––– G ––––––––––––––––––––2––– D ––2–1–0–––––––––––––2––– A –––––––––3–0–––––0–––––– E ––––––––––––––3–––––––––
Fill #3 of 4
E ––––––––––––––––––––––0––– B –––––––1–3––1–––––––––1––– G ––0–2–––––––––2–0–2–––2––– D ––––––––––––––––––––––2––– A ––––––––––––––––––––––0––– E ––––––––––––––––––––––––––
Fill #4 of 4
E –––3–0––––––––––––––––0––– B ––––––––3–1–––––––––––1––– G –––––––––––––2–0–2––––2––– D ––––––––––––––––––––––2––– A ––––––––––––––––––––––0––– E ––––––––––––––––––––––––––
Let me know if you have questions. I hope this was helpful.
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