Guitar lesson for

Sweet Caroline

by Neil Diamond  •  Lesson #15

Play-along cover

This is played with no capo, using a relatively easy strumming pattern. Note this is lesson #286, which redirects to this page.

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Editor’s notes

Hey friends - here’s a play-along cover of Sweet Caroline (Neil Diamond), played in standard tuning with no capo. I’ll show the chords and lyrics as I play, in addition to the strumming pattern - so you can follow along.

Make sure you grab the PDF chord sheet – it’s a great way to practice & fully learn this song outside of this video. And of course you’ll be supporting me & this very independent project of building this library of videos and PDF chord sheets.

Full song video lesson

This one is recorded with capo 2nd fret, to match Neil Diamond’s album version. Note, this is one of the very first videos I ever made – so some of the graphics / production / etc aren’t as tight & polished as in my video above, which was made after I had a few hundred videos under my belt.

Notes and tabs

Capo 2nd fret, standard tuning

In order to play along with Neil Diamond’s recorded version of this song, you’ll need to add a capo to the 2nd fret (and use the chords shown above). Note that a capo is by no means required – you can use these tabs to play the song without a capo, just note you won’t be able to play along with Neil Diamond’s album version.

Guitar chords used

Here’s how you play the guitar chords used in this song. For the most part, you can get away with only using A, D, and E if you’re not yet able to do barre chords.

      A    D    E    A6   Bm  C#m

During the pre-chorus, I’ll use these chords positions to do the buildup that comes before the chorus. These are by no means required, but add a bit of extra voicing to the buildup. The tab I show further below describes this approach in more detail.

      A6   D    E    E7

Intro tab

Here’s how you can approximate the horn intro to the album version of this song using an acoustic guitar. The main part of this is the riff, which is played mostly all on the A string. For added oomph, you’ll want to also be picking/strumming the low E string along with the bass riff. This can be pretty tricky to do well – so if you’re having trouble with it, focus on the bassline by itself first, and only add the droning low-E string as your comfort level rises.

See sheet music for tab. <!-- e ||----------------------------|----------------------------|-----------------------------|| B ||----------------------------|----------------------------|-----------------------------|| G ||----------------------------|----------------------------|-----------------------------|| D ||----------------------------|----------------------------|-----------------------11-9--|| A ||--2-4-5---2-4-5-4-2---5-4-2-|--5-7-9---5-7-9-7-5---9-7-5-|--9-11-12---9-11-12-11-------|| E ||-(0)------------------------|-(0)------------------------|-(0)-------------------------|| -->

Written out with counting, it would look like this.

See sheet music for tab.

Making the intro sound fancy

One tip to flesh out the sound of the intro is to add droning bass notes on the open low-E string. With extra droning bass note added, the same tab would look like this. Again, only move in this direction once you have the melody notes under your comfortable control.

See sheet music for tab.

You can even double-up the droning bass note if you want to really dig into this technique. The idea is to down DOWN strums on the 1-2-3-4 counts, and UP strums on all “+” counts… played this way, the open low-E string is always played with a down-strum.

See sheet music for tab.

Finally, you can spice up the final two notes (at the very end) by adding these notes on the 5th and 6th strings (along with the melody notes played on the 4th string). This is slightly tricker to pull off, but really helps pack a punch into the final few counts.

See sheet music for tab.

Building Up the Pre-Chorus

Here is how I like to play the pre-chorus buildup. This isn’t required, and is certainly a bit more tricky than using the standard open chords, but adds some nice swell to transition into the chorus. What’s great about this is how the note on high-E string goes up in tone with each chord. Here’s the tabs for the chords I play, check out my video lesson for additional reference.

See sheet music for tab.

Rocking the Chorus Hook

Here is one way you can approximate the audience-favorite “oh, oh, oh…” part on an acoustic guitar. This is by no means required (in fact, you can skip the Bm7 and stay on D instead), but it is a nice way to capture the spirit of that heavy bass walkdown in a solo acoustic rendition. Listen along for reference, and check out my video lesson to see how this is done.

See sheet music for tab.

You can also play it like this, which involves playing triads higher up on the fretboard:

See sheet music for tab.

Bass Walk-Up from E to A

In the middle of the chorus, here is one way to transition up from the E to an A via a bassnote walk-up. This is done entirely on the 6th (low E) string. Nice and straightforward, listen along for reference.

      D                             E                           A
     "...Good times never seemed so good..."

Or, you could do it on the higher strings like this.

      D                             E                           A
     "...Good times never seemed so good..."

Bass Walk-Down from E to A

At the end of the verse progression, here is one way you transition down from the E to an A. Again, listen along for reference.

      A                               E                         A
     "...But then I know it's growing strong..."


The most straightforward strumming pattern I’d recommend using is this one, which is a “Down, down, up-down-up” to the timing shown below. If you can, accent the 2 and 4 counts to give them a bit of extra oomph.

1 + 2 + 3 + 4 +
D   D     U D U
    >       >

Alternatively, you could do a more palm-muted rhythmic strum, which during the verses would be all down strums on the 1-2-3-4 counts. See my video lesson to hear this in context. Doing this during the verses is especially nice, as you can then open it up (and go to the full strum) during the chorus sections.

1 + 2 + 3 + 4 +
D   D   D   D  
    >       >

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