Guitar lesson for

Lady May

by Tyler Childers  •  Lesson #172

Video Lesson

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Editor’s notes

In this lesson I’ll show you how to play “Lady May” by Tyler Childers, from his wonderful album “Purgatory”. This one features a very elegant riff that combines a melodic lead with rhythmic strumming, and is actually quite accessible to players of various skill levels. I’ll explain the riff, the chords needed, talk about hammer-ons & pull-offs, and otherwise describe how to master this little tune. I hope you enjoy!

Lyrics w/ chords

See my sheet music for the lyrics and chords, with intro tab, all shown on a single print-friendly page.

Intro (simple version)

Here’s the main melody notes of the intro. In this simplified version, I’m not including any of the hammer-ons or pull-offs. Don’t worry about adding those until you have this foundation memorized.

See sheet music for the tab.

Also, while learning the melody riff above, understand that these are the chord shapes you’ll want to have your left hand in while playing (if you can manage it). This sets you up nicely for doing full strums of any of these chords should you want to dial-down the riff and amp-up the rhythm strumming.

See sheet music for the tab.

Intro (w/ nuance)

Here’s the main melody notes of the intro. Here, I’m showing the hammer-ons and pull-offs that you hear on the album version of the song.

See sheet music for the tab.

And, understand these are the implied chord shapes played underneath. Sometimes you may want to lean into plucking strings from these chords while you’re making your way through the riff. Listen to Tyler Childer’s version - you’ll hear him sneak in occasional notes from these chords, as no doubt his hands are in these chord positions as he moves his way through.

See sheet music for the tab.

How to play the chords

Here’s how to play the chords used in this song – including a few simplified ways to play the F chord (you don’t need to play all 6 strings to make it work).

Main chord shapes:                 Simplified F positions:

E –––0––––1––––0––––––––           –––––   –––––   –––––
B –––1––––1––––1––––0–––           ––1––   ––1––   –––––
G –––0––––2––––2––––0–––           ––2––   ––2––   ––2––
D –––2––––3––––2––––0–––           ––3––   ––3––   ––3––
A –––3––––3––––0––––2–––           –––––   ––3––   ––3––
E ––––––––1–––––––––––––           –––––   –––––   ––1––
     C    F    Am  G/B               F       F       F

Hammering-on and pulling-off

A crucial part to playing this song like Tyler Childers is being able to hammer on your left-middle finger on both the C and F chords. Here are some tabs that break this down to its simplest form. For each chord below, I show the “normal” way to play the chord, and then show the tab for the hammer-on note you can add with your left-hand middle finger.

E –––––––––––––         E ––––––––––––––
B –––1––––1––––         B –––1–––––1––––
G –––0––––0––––         G –––2–––––0h2––
D –––2––––0h2––         D –––3–––––3––––
A –––3––––3––––         A ––––––––––––––
E –––––––––––––         E ––––––––––––––
     C    C*                 F     F*

Similarly, the idea behind the pull-off technique involves forcefully & quickly removing your finger - in such a way that causes the now open string to ring out. This can take a lot of practice!

E –––––––––––––         E ––––––––––––––
B –––1––––1––––         B –––1–––––1––––
G –––0––––0––––         G –––2–––––2p0––
D –––2––––2p0––         D –––3–––––3––––
A –––3––––3––––         A ––––––––––––––
E –––––––––––––         E ––––––––––––––
     C    C*                 F     F*

Good luck!

Let me know if you have questions. I hope this was helpful.

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