Guitar lesson for

Thunder Road

by Bruce Springsteen  β€’  Lesson #335

Video lesson

Get the PDF chord sheet (4 pages)

  • Support me on Patreon.com to get access to this and 200+ other PDF chord sheets I've made, plus new PDFs I make going forward (1-2 added each week).
  • The cost is $3/month (one month minimum, cancel anytime). Here's a free sample if you're on the fence. Thanks for supporting me & this project!
Download the PDF on Patreon

After clicking the button and logging in to Patreon, look for the PDF attached to the bottom of the post.

Editor’s notes

Hey friends! In this lesson I’ll teach you how to play Thunder Road by Bruce Springsteen, which is the opening track from his 1975 album Born to Run. This is a solo acoustic lesson, where I’ll show you how to make the most of this song with one (non-electric) guitar. I’ll show you two different ways to play the chords, 3 different options for strumming patterns, and go through the chord progressions for every part of the song. Also, I’ll show you arrangements (with tabs) for the intro and outro of the song, if you’d like to imitate the harmonica (etc) you hear on the album with your guitar. Note I’ll be using a capo 3rd fret, which lets us play this song in the key of D exactly like Bruce plays it. Enjoy!

Video timestamps:

Lyrics w/ chords

Get the print-friendly version of the lyrics & chords in my PDF (top of this page). I worked very hard formatting it to all fit on one page, and remain readable with the insane number of sections of this song.

INTRO
    D . . . Bm  . . . D . . . G . . .     
    D . . . F#m . . . G . . . A . . .

VERSE
        D                 G         D            D
    The screen door slams... Mary's dress waves
           D                 A                       G           G
    Like a vision she dances across the porch as the radio plays
        G                       A                  D                 G
    Roy Orbison singing For the Lonely, hey that's me and I want you only
                  G             D                  A                 A
    Don't turn me home again, I just can't face myself alone, again

          D                         G                      D         D
    Don't run back inside, darling, you know just what I'm here for
              D                               A                   G         G
    So you're scared and you're thinking that maybe we ain't that young any more
                  G                           A                  D                         G
    Show a little faith, there's magic in the night, you ain't a beauty but hey, you're alright
    G          D                   A        A
    ...Oh, and that's alright with me

CHORUS
                D                           Bm
        You can hide 'neath your covers and study your pain,
             D                               G
        Make crosses from your lovers, throw--- roses in the rain
        D                    F#m                   G                         A
        ...Waste your summer praying in vain for a savior to rise from these streets

        D                            Bm
        Well, now I'm no hero that's understood...
                   D                             G
        All the redemption I can offer, girl, is beneath this dirty hood
        D                           F#m                  G                   A
        ...With a chance to make it good somehow... hey, what else can we do now, except

VERSE
    D                        G                 D               D
    Roll down the window and let the wind blow back our hair
              D                         A                      G     G
    Well, the night's busted open these two lanes will take us any---where
           G                          A                D                      G
    We got one last chance to make it real... to trade in these wings on some wheels
    G                     D                 A              A
    ...Climb in back, heaven's waiting down on the tracks

CHORUS
        D           Bm                    D                      G
        Ohhhh, come take my hand... we're riding out tonight to---- case the promised land
        D           F#m                   G                      A
        Ohhhh------ oh Thunder Road...... oh, Thunder Road...... oh, Thunder Road

        D                      Bm
        Lyin' out there like a killer in the sun
             D                         G
        Hey, I know it's late, we can---- make it if we run
        D      F#m                     G           A             D        D (let ring)
        Ohhhh, oh Thunder Road... sit tight, take hold, Thunder Road

BRIDGE
                        G                        A                      D      D
                Well, I got this guitar and I've learned how to make it talk
                       Bm                       Bm                  G          A
                And my car's out back if you're ready to take that long------- walk
                          G                       A                F#m                     Bm
                From your front porch to my front seat, the door's open but the ride ain't free
                      G                                   G
                Well, I know you're lonely for words that I ain't spoken
                   A                             A
                Tonight we'll be free, all the promises will be broken

VERSE
               D                     G                D             D
    There were ghosts in the eyes of all the boys you sent away
                    D                       F#m                 G                G
    They haunt this dusty beach road in the skeleton frames of burned out Chevrolets  
         G                                   A
    They scream your name at night in the street
                    D                          G
    Your graduation gown lies in rags at their--- feet

ENDING
                               F#m                F#m                    G               G
                    And in the lonely cool before dawn... you hear their engines roaring on
                             Em                        A           G      G           Em        Em                                               
                    When you get to the porch, they're gone on the wind...... so Mary climb in...
                           G                         A                      D       D (let ring)
                    It's a town full of losers, I'm pulling out of here to win

OUTRO (w/ harmonica)
    D . . . A . . . D . . . G . . .
    D . . . A . . . G . . . A . . .

Chord progressions for entire song

A one-page chord progression summary for all sections of the song is available on page 3 of my PDF chord sheet (linked at the top of this post).

Chord shapes needed

With a capo on 3rd fret, this song requires all the common chords in the key of D (D, Em, F#m, G, A, Bm). You could play these conventionally, or you can use the alternate voicings which I’ll also show. The common way to play these chords is as follows:

E –––2––––3––––0––––2––––2––––0–––
B –––3––––3––––2––––3––––2––––0–––
G –––2––––0––––2––––4––––2––––0–––
D –––0––––0––––2––––4––––4––––2–––
A ––––––––2––––0––––2––––4––––2–––
E ––––––––3––––––––––––––2––––0–––
     D    G    A    Bm  F#m   Em

Alternatively, you can use the following voicings for all of the chords. This lets you skip out from ever playing a barre chord (which makes them easier, once you learn the shapes). An important thing to realize here is your left ring finger is on the same note for all of the chord shapes (3rd fret of the second string). Also, with the exception of the D chord, you’ll leave the high-E string open for all chords. Together, these give this group of chords a uniform & consistent sound, via these droning notes.

Technically, these voicings deviate from the named chords in a strict sense - but don’t let that both you. Used well, these sound great. My advice with these is to lean into them when things are slower & less hectic. Then, when things pickup to a full strum – switching to the regular chord shapes (above) works well. Or, you could mix and match! It’s up to you. See my video lesson for reference.

[See my PDF for finger positions]

E ––2––  –(0)–  –(0)–  –(0)–  –(0)–  –(0)––
B ––3––  ––3––  ––3––  ––3––  ––3––  ––3–––
G ––2––  ––2––  ––2––  ––2––  ––2––  ––0–––
D ––0––  ––0––  ––2––  ––0––  ––0––  ––2–––
A –––––  ––x––  ––0––  ––2––  ––x––  ––2–––
E –––––  ––3––  –––––  –––––  ––2––  ––0–––
    D      G      A      Bm    F#m     Em  

Strumming patterns

This is a very long song, with many peaks & valleys – so you’ll want to be a bit considered with whatever strumming pattern you use. Said another way, you probably don’t want to strum w/ the exact same pattern & volume the entire time… that might get monotonous. I’ll show you a few options here, pick and choose from these options to put together a total package that works for your needs. Again, see my video lesson & full play-along cover to see how I approach it.

When you’re starting out…

Just begin by doing a downstrum on the β€œ1” count only. Get comfortable with the progression and vocal melody. Sneak in other strums here and there, if you want, but get familiar with that β€œ1” count being your anchor & foundation.

1 + 2 + 3 + 4 +
D
>

Adding end of measure strums…

From there, you might try adding an β€œup-down-up” on the final 3 eighth notes of each measure… while keeping your β€œ1” count bigger strum. This helps flesh things out a bit, and makes the chord changes (that always happen on the β€œ1”) sound a bit more dramatic since they’ll be preceded by the trio of smaller strums.

1 + 2 + 3 + 4 +
D         U D U
>

Filling it out even more

Finally, you could add some additional strums on the β€œ2 + β€œ counts, while keeping the strums above. This is a pretty common pattern in itself, but I would recommend approaching things gingerly – and not over doing it. Keep the β€œ1” count as your strongest strum, and view all these other strums as lighter filler strums. This will let you dial up (or down) the intensity of things, which is important for such a dynamic (and long) song.

1 + 2 + 3 + 4 +
D   D U   U D U
>

Intro and outro riffs

Tabs for the intro and outro sections I show are available on page 4 of my PDF chord sheet (linked at the top of this post).

Listen to full versions of this song

Bruce’s album version

Bruce Springsteen VH1 Storytellers live performance

This one is great, in that he tells the story behind each line of the song.

Bruce Springsteen solo acoustic version

Note, he’s using the alternate versions of the chords, as I show above. Capo 2nd fret.

John Mooreland’s cover

Nice to hear an acoustic cover with straight-ahead strumming & normal chord shapes.

Thanks, all!

This one was a monster to wrangle into place. I hope you found this helpful. Good luck!

Enjoy my lessons? Buy me a beer!

If this and my other lessons have proven helpful to you, please consider making a one-time donation to my tip jar. Contributions of any amount help make this project possible (including the many, many hours I put into it).

You can also support me on Patreon. For only $3/month you'll get access to a print-friendly PDF of my notes for each new lesson (view free sample).

Thanks!


Subscribe to my YouTube channel

Be sure to never miss a lesson by subscribing on YouTube. I put out 2-3 new videos every week. These include full song lessons, as well as covers, practice tips, behind-the-scenes updates. Thanks!


Recent video lessons:

πŸ“ Print-friendly PDFs now available for all new lessons I make, including all those listed below. Get a free sample Β»


← back to lesson list