Guitar lesson for

Simple Twist of Fate

by Bob Dylan  •  Lesson #351

Video lesson

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Editor’s notes

Hey friends! Here’s a new guitar lesson teaching you how to play “Simple Twist of Fate”, the classic from Bob Dylan’s 1975 album Blood on the Tracks. This is no doubt one of my favorite songs of all time, from an equally amazing album. This lesson teaches aims to make this song more accessible, teaching it in standard tuning, no capo, using chords in the key of E (which is slightly different than Dylan’s open-D-tuning, capo 2, Key of D arrangement). I’ll explain all this in my video and PDF – showing you the chords / progression / strumming, before offering two playthroughs using different strum patterns. I hope you enjoy!

Video timestamps:

Lyrics with chords

No capo, standard tuning… see my note below for more info

See my licensed sheet music for the complete song lyrics with chords.

A note about tuning, capo, and how Dylan plays this song

My video lesson & this PDF teaches this song in standard tuning, using no capo – as the goal of this arrangement is to keep things accessible & approachable. But I should note, Dylan doesn’t play the song the way I am showing! He’s using capo 2nd fret, in open D tuning (D-A-D-F#-A-D). Maybe I’ll make a lesson for playing this song that way someday, but note – that’s not what I’m doing in this lesson.

Chord shapes

At a glance, the chords I use are as follows (shown in tab form). For the E-Emaj7-E7 sequence, I prefer using the four-string voicing shown here as my foundation. This allows you to capture the sound of the descending bass note within those three chords, which is vital to capturing Dylan’s sound.

For the B chord, I’ll use this Bsus4 voicing I show below — which is far easier to play than a typical B-major chord (since you don’t have to barre anything). This version of the B also captures the vibe of Dylan’s version (via the thinnest two strings being open), which gives off an open-tuning sound.

For the A-major chord, I often will freely switch to an Asus2 to mix up the sound, which again captures the open-tuning vibe of Dylan’s version.

[ See my sheet music for tabs]

Sometimes I’ll flirt with playing 6-string versions of the E-Emaj7-E7 sequence, using the voicings shown below. If you do this, try to lead into each chord by playing the bass notes (4th string) as I show here — which attempts to capture the very important descending tone. What I don’t love about this, is how muddy the Emaj7 sounds — so if anything, that’s the chord (of the 3 shown below) where I usually revert to the 4-string version.

[ See my sheet music for tabs]

Strumming patterns

The most basic strum you’ll want to do is a “bass, DOWN, bass, DOWN” where “bass” refers to the thickest string used in whatever chord you’re playing. I slightly emphasize the down-strums.

[ See my sheet music for diagram ]

To strum like Dylan, use one of the two patterns below. Keep all up-strums light, staying on the thinnest 2-3 strings only. Keeping an accent on beats 2 & 4 also sounds good, if you can manage.

[ See my sheet music for diagram ]

Chord progression

Here’s the chord progression this entire song uses, over and over. There are four beats per measure. Set your metronome to 137 BPM to play this along with Dylan’s version.

E                 Emaj7             E7                A             
1 2 3 4 1 2 3 4   1 2 3 4 1 2 3 4   1 2 3 4 1 2 3 4   1 2 3 4 1 2 3 4  

Am                E   B   A         E       B         E
1 2 3 4 1 2 3 4   1 2 3 4 1 2 3 4   1 2 3 4 1 2 3 4   1 2 3 4 1 2 3 4  

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