My video showing you how to play it like Smashing Pumpkins (lesson #285):
My cover version, which uses a strummier “easy” arrangement (lesson #287):
PDFs chord sheets for each versions are available via the link below.
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Here’s a guitar lesson showing you how to play an acoustic version of 1979 by The Smashing Pumpkins (played in standard tuning). In this tutorial, I’ll break down the two main riffs used in great details, tabs included, before showing additional advice for utilizing a variety chord voicings & strumming patterns. Put it all together, and you’ll know what you need to pull this song off in a few different ways.
Timestamps of what I teach:
- 0:00 Lesson overview
- 2:05 Intro & Verse Riff
- • Starting with the bass notes (2:05)
- • Adding octaves & muted strings (6:24)
- • Adding open strings & the bend (8:44)
- 15:38 Chorus Riff
- 20:58 Bridge
- 22:12 Misc. Chord Voicings
- 24:13 Misc. Strumming Tips
Tune down 1/2 step (Eb Ab Db Gb Bb Eb) to play along with the band version, if you use the chords I show you in this lesson. My lesson is in standard tuning, which I decided to do just to keep things accessible and straightforward.
Lyrics with chords
INTRO Eb –––x––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Bb –––x––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Gb –––8–––8–––8–8–8––/9––––4––4–4–4––––––––––––––––––––––––––––––––– Db –––x–––x–––x–x–x–––x––––x––x–x–x–––––6b~~–4––2––4––6–––9–9–9–9––– Ab –––6–––6–––6–6–6––/7––––2––2–2–2–––––0––––0––0––0––0–––0–0–0–0––– Eb ––(0)–––––––––––––(0)––(0)––––––––––––––––––––––––––––––––––––––– E-riff A-riff VERSE E-riff A-riff E-riff A-riff ..........Shakedown, 1979.........Cool kids never have the time E-riff A-riff F#m B ....On a, live wire right up off the street, you and I... should E-riff A-riff E-riff A-riff Meet.........Junebug skipping like a stone... with the... headlights pointed at the E-riff A-riff F#m B Dawn....... We were sure we'd never see an end...to it all CHORUS Eb –––0–––0–––0–0–0–––0––––––––––––––––––––––––––––––––––––––––––––– Bb –––0–––0–––0–0–0–––0––––––––––––––––––––––––––––––––––––––––––––– Gb –––9–––9–––9–9–9–––8––8–8–––4––4–4––––––––––––––––––––––––––––––– Db –––9–––9–––9–9–9–––9––9–9–––4––4–4–––6b~––4––2––4––6–––9–9–9–9––– Ab –––7–––7–––7–7–7–––7––7–7–––2––2–2–––0––––0––0––0––0–––0–0–0–0––– Eb –––0–––0–––0–0–0––(0)––––––(0)––––––––––––––––––––––––––––––––––– E /Eb B A-riff E /Eb B A-riff And I------- don't even care... to shake these zipper E /Eb B A-riff Blues... and we don't know... just where our bones E /Eb B A-riff F#m B (E-riff) Will rest------- to dust, I guess... forgotten and absorbed... into the earth below [E-riff] ... [A-riff] Double crossed, the vacant and the bored [E-riff] ... [A-riff] They're not sure just what we have in store [E-riff] ... [A-riff] Morphine, city slippin' [F#m] dues, down to [B] see E /Eb B A-riff E That we------ don't even care... as restless as we are (E) /Eb B A-riff ...... We feel the pull... in the land of a thousand E /Eb B A-riff Guilts------ and poured cement... lamented and BRIDGE B C#m A B C#m A Assured to the lights... and towns below..... Faster than, the speed of sound B C#m A F#m B E-riff Faster than, we thought we'd go..... Beneath, the sound, of hope [E-riff] ... [A-riff] Justine never knew the rules [E-riff] ... [A-riff] Hung down with the freaks and the ghouls [E-riff] ... No-a [A-riff] 'pologies ever need be made [E-riff] ... [A-riff] I know you better than you [F#m] fake it, to [B] see That [E] we---- don't [/Eb B] even [A-riff] care... to shake these zipper [E] blues [E] ...That [/Eb B] we don't [A-riff] know... just where our bones, Will [E] rest----- to [/Eb B] dust I [A-riff] guess... Forgotten and [F#m] absorbed... to the [B] earth... [E-riff] below [E-riff] ....[A-riff] the street heats the urgency of now [E-riff] ... [A-riff] as you see, there's no one [E] around
Learning the intro & verse riff
Keep it simple at first – don’t expect yourself to immediately be able to capture the subtle nuance of the droning 6th string, the bend you do in the 3rd measure of the intro/verse, etc. Instead, take it step by step.
First, start with the bass notes. Get comfortable playing this over and over. When you can do this fluently, move on to the next step.
Eb ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Bb ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Gb ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Db –––––––––––––––––––––––––––––––––––7–6––4––2––4––6–––9–9–9–9––– <= left ring and middle Ab –––6–––6–––6–6–6–––7––––2––2–2–2––––––––––––––––––––––––––––––– <= left index Eb –––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––
Second, add the muted octaves (first half) and the droning 5th string (second half). Keep the strumming simple! Also, note that I’m not doing the bend yet on the first note of the second half (which later on we’ll add on 6th fret of the 4th string).
Eb ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Bb ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Gb –––8–––8–––8–8–8–––9––––4––4–4–4––––––––––––––––––––––––––––––– Db –––x–––x–––x–x–x–––x––––x––x–x–x–––7–6––4––2––4––6–––9–9–9–9––– Ab –––6–––6–––6–6–6–––7––––2––2–2–2–––0–0––0––0––0––0–––0–0–0–0––– Eb –––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––
Then, after many reps and when you’re comfortable enough to spice it up, take it all the way (adding the bend, adding the occasionally droning open 6th string , etc).
Eb –––x––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Bb –––x––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Gb –––8–––8–––8–8–8––/9––––4––4–4–4––––––––––––––––––––––––––––––– Db –––x–––x–––x–x–x–––x––––x––x–x–x–––6b~~–4––2––4––6–––9–9–9–9––– Ab –––6–––6–––6–6–6––/7––––2––2–2–2–––0––––0––0––0––0–––0–0–0–0––– Eb ––(0)–––––––––––––(0)––(0)–––––––––––––––––––––––––––––––––––––
Learning the chorus riff
This one is a bit more straightforward, in that it’s using techniques already established in the first riff. Here’s how I like to play it:
Eb –––0–––0–––0–0–0–––0––––––––––––––––––––––––––––––––––––––––––––– Bb –––0–––0–––0–0–0–––0––––––––––––––––––––––––––––––––––––––––––––– Gb –––9–––9–––9–9–9–––8––8–8–––4––4–4––––––––––––––––––––––––––––––– Db –––9–––9–––9–9–9–––9––9–9–––4––4–4–––6b~––4––2––4––6–––9–9–9–9––– Ab –––7–––7–––7–7–7–––7––7–7–––2––2–2–––0––––0––0––0––0–––0–0–0–0––– Eb –––0–––0–––0–0–0––(0)––––––(0)––––––––––––––––––––––––––––––––––– E /Eb B A-riff
However, here are a few variations and notes to keep in mind…
Strumming Asus2 in the second half
The second half of this riff uses the “A-riff” which is found in the intro & verse sections… but you can replace this with an Asus2 chord (x022000), strummed, if you want to simplify things. This is also nice just to mix things up, so you’re not repeating the A-riff too much.
Eb –––0–––0–––0–0–0–––0–––––––––––––––––0––0––0–0–0––––0––0––0–0–0–– Bb –––0–––0–––0–0–0–––0–––––––––––––––––0––0––0–0–0––––0––0––0–0–0–– Gb –––9–––9–––9–9–9–––8––8–8–––4––4–4–––2––2––2–2–2––––2––2––2–2–2–– Db –––9–––9–––9–9–9–––9––9–9–––4––4–4–––2––2––2–2–2––––2––2––2–2–2–– Ab –––7–––7–––7–7–7–––7––7–7–––2––2–2–––0––0––0–0–0––––0––0––0–0–0–– Eb –––0–––0–––0–0–0––(0)––––––(0)––––––––––––––––––––––––––––––––––– E /Eb B Asus2
Modifying the “/Eb” chord
The second chord I have as “/Eb” (spoken as “over E-flat”), which could alternatively be described as E-maj-7 (E-major-7). Different lessons for this song show this chord played in different ways. I use the approach above because I think it sounds great and is easy to play. Alternatively, here’s other ways to do that same voicing. Pick your poison.
How I play it: Other ways to play it: ––––0––––0–––– ––––0––––0–––– ––––0––––0–––– ––––0––––0–––– ––––0––––0–––– ––––0––––0–––– ––––0––––0–––– ––––0––––0–––– ––––9––––8–––– ––––9––––9–––– ––––9––––8–––– ––––9––––8–––– ––––9––––9–––– ––––9––––9–––– ––––9––––9–––– ––––9––––x–––– ––––7––––7–––– ––––7––––6–––– ––––7––––6–––– ––––7––––6–––– ––––0–––(0)––– ––––0––––––––– ––––0––––––––– ––––0––––––––– E /Eb E /Eb E /Eb E /Eb
Learning the bridge chords
Here’s how I like to play the bridge chord voicings. The cool part about this approach, is you keep your left ring and left pinky fingers on the 4th and 3rd strings (respectively) for all three chords.
Eb –––0–––0–––0–0–0–––––0–––0–––0–0–0––––0––0––0–0–0––––0––0––0–0–0–– Bb –––0–––0–––0–0–0–––––0–––0–––0–0–0––––0––0––0–0–0––––0––0––0–0–0–– Gb –––4–––4–––4–4–4–––––4–––4–––4–4–4––––6––6––6–6–6––––2––2––2–2–2–– <= left pinky Db –––4–––4–––4–4–4–––––4–––4–––4–4–4––––6––6––6–6–6––––2––2––2–2–2–– <= left ring Ab –––2–––2–––2–2–2–––––2–––2–––2–2–2––––4––4––4–4–4––––0––0––0–0–0–– <= left index Eb –––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– B B C#m A
Chord reference chart
Okay, there are a lot of ways to play the chords you hear in this song. Sometimes, a single chord may played 2-3 different ways – depending on the skill level, and sound, and strumming style you want to go for. You can reference videos of Billy playing this live, or see Rivers Cuomo’s cover version, and so on – my suggestion is watch a bunch, take your pick, and understand you’re 100% empowered to play these chords however you like.
Here are the chords, grouped by chord name.
Eb ––0–––0–– Eb ––0–––0–––0–– Eb ––0––0––0–– Eb –––––(0)–(0)– Eb ––0––2––x–– Bb ––0–––0–– Bb ––0–––0–––0–– Bb ––0––0––0–– Bb ––4––(0)–(0)– Bb ––0––2––x–– Gb ––1–––9–– Gb ––8–––8–––9–– Gb ––2––6––6–– Gb ––4–––4–––8–– Gb ––9––2––x–– Db ––2–––9–– Db ––9–––9–––9–– Db ––2––7––7–– Db ––4–––4–––9–– Db ––7––4––4–– Ab ––2–––7–– Ab ––7–––6–––6–– Ab ––0––0––7–– Ab ––2–––2–––9–– Ab ––9––4––4–– Eb ––0–––0–– Eb ––0–––––––––– Eb ––––––––5–– Eb ––––––––––7–– Eb –––––2––2–– E E/Eb A B F#m
To strum like Billy plays, you’ll want to do steady down-strums on the 8th notes as shown below. The trick here is to pay close attention to your dynamics and swells and crescendos. Don’t play the same exact volume the whole time! That gets boring. Instead, find ways to build things up, quiet things down, and emphasize certain strums. One approach could be to accent the quarter notes slightly (1-2-3-4), and on the 8th notes in between be a little bit more quiet.
1 + 2 + 3 + 4 + d d d d d d d d "DOWN down DOWN down DOWN down DOWN down..."
Another approach, if you want something more strummy in a traditional sense, is to use a pattern like this. Note that many of my tabs in this lesson sort of follow this implied rhythm. Which itself is very loosely inspired by the drum track on this song.
1 + 2 + 3 + 4 + d d d u d "Down, down, down-up-down..."
Here’s the official video from Smashing Pumpkins.
Billy’s solo acoustic performance on Howard Stern:
Rivers Cuomo solo acoustic version:
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